Brooks on Rose
Posted in ideas, politics on December 23rd, 2011 by Ira Altschiller – Comments OffIt was immensely fascinating listening to David Brooks on Charlie Rose the other night. Brooks instantiates the standards he espouses. You don’t feel he is thrusting his ego at you when he talks about ideas. He isn’t trying to prove he is smart and has all the answers. He sorts things out and provides some nuance. “Nuance,” there’s a quality that long ago evaporated into the ether.
It was a wide ranging discussion that seemed to be generated by a roundtable Obama has yearly as Obama sorts out what direction he wants to take. Brooks gave his own take, presumably what he told Obama:
He feels that Obama sees himself as an FDR progressive; that the Democrats tend toward parsing policy to install that agenda. Brooks feels the times are too different to apply the FDR model. The vaunted “vision thing,” as they used to say about Bush, or Bush said about himself, is not Obama’s strength. Brooks felt it should be.
Brooks feels that the country needs to feel hope which comes from a clearly defined destination for the society. He feels the sense of motivation has been lost as the sense of unfairness has grown. Whether on the Right, who despise entitlements as vitiating motivation, or the Left, who despise Wall Street, it amounts to the same thing finally. The country is enraged. It’s a Howard Beale world these days. People are mad as hell and they won’t take it anymore. More plainly: people who play by the rules don’t see the results of their hard work pay off fairly; or see others get the same or better without effort, or with unfair connections to power.
Along the way he touched on the toxic effect of the popular culture (although he didn’t feel it had any decisive effect — I disagree — it is primary). He mentioned an idea Mickey Kaus had some time ago, — that the status, or respectability as Brooks calls it, of middle class attainment is the real goal for many rather than great wealth, as junk culture would suggest.
Brooks also engaged in some goofy theorizing: he felt “creativity comes from networks”— his examples were Steve Jobs and Picasso. I won’t go into the Steve Jobs reference, but as to art: Brooks thinks Picasso brought the defaults of African Art into the mainstream of western art. By this estimate Picasso networked African Art. Hmmm.
Cultural issues are more complex than politics. Picasso’s work could as easily, in its cubist manifestation, be thought of as an absorption of scientific ideas of the time, as a Newtonian, logical universe, became the probabilistic chaos of quantum physics. Such scientific and philosophical ideas do enter art, even if artists don’t realize it themselves. The surface absorption of African Art, and it was a shallow, undigested inclusion, is a surface manifestation of the groundbreaking work of Picasso. But even with the drifting analysis of creativity, Brooks said many insightful things.
The takeaway: Brooks feels that entitlements, tax reform, and the culture of the family (family values — Daniel Patrick Moynihan’s emphasis) are the principal issues in reviving America. He didn’t say it with any cogency, but he clearly doesn’t think Obama has the chops to deliver on either a vision for the future of America, or an insight into the essential issues facing the country. In other words, Obama would be a disaster if re-elected. This has been plain for a long time.
Brooks never did address his complete failure to see Obama as the media construction he is; Brooks’ failure to identify early on Obama’s dissociated self-absorption, his dubious affiliations, and cynical center, are discrediting for a commentator. Brooks said Obama is more liberal than he understood. But what he still doesn’t understand is that Obama is just going with the flow —just another cynical politician who wants to be elected but has no idea what he wants to do, and is liberal when he wants hoots of approval from the crowd. No core values, just career. This is probably just as true of Romney.
Brooks’ ideas could be summarized as a renewal of Isaiah Berlin, where the emphasis is on having many ideas, with flexibility being the primary value, rather than a single “feel-good” delusion that will inevitably fall apart or turn dangerously sour. And has.






























